I've been preparing for my upcoming workshop at Hudson River Valley Art Workshops
. And as I was going down my check list, I decided to take a peek at my page on their website. One of the images that is being used to promote the workshop is right below and is one of my favorite old pieces.
|St. Pete Lace 1 © Natalya Aikens|
It struck me though, that my ways of using Photoshop for my art has changed dramatically in last couple of years. And come to think of it so has my way of using vintage linens and recycled ephemera. So I took a little tour of my portfolio, and then my research and work in progress files, and pulled out a few things to share here.
Some of you might remember this piece below. It's my pride and joy, especially since it made it into QN'13
. I used Photoshop to help create it. Doesn't look anything like the image above, does it?
|The City © Natalya Aikens|
Yet I used vintage linens, paper and dryer sheets, just like in St. Pete Lace 1
. Of course I also added plastic and oil paint sticks to the materials list here. In my archives I found the Photoshopped image of the very beginnings of this piece.
I used this image as my guide for constructing the final piece. It'll be one of the things I'll be discussing in the workshop. Collage is such an integral part of what I do and Photoshop is my number one tool in the tool box.
Recently I participated as one the invited artists in The 100
fundraiser organized by Virginia Spiegel. The artwork I created for this event relied heavily on Photoshop too.
|Fire Escape Abstraction © Natalya Aikens|
No vintage linens here, but just paper and two dryer sheets. No machine stitching either. Yes on the hand stitching though! This one relied on Photoshop in a completely different way than The City
. While Photoshop helped me create the guide for The City
, in Fire Escape Abstraction
, Photoshop helped me create color and line. Of course the printer was important here too. Below is how this piece started.
|a plain old NYC fire escape|
I am so looking forward to sharing how I use Photoshop in my art. There is just so much to it! And all of it is very intuitive despite looking scary sometimes.
|some vintage linens from my stash|
I'm also looking forward to collaging the Photoshopped images with the fabrics, vintage or not, that the workshop participants will bring. Maybe even recycled ephemera too! The best part of teaching a workshop for me, is seeing what my students come up with. I love when they learn how to use a new tool to create their artwork. And how that new tool helps them create in new ways.
And because this workshop is five full days, we'll get to spend time machine stitching and hand stitching! I've never before had an opportunity to have the time to delve in so deeply into a workshop like this. Can you tell I'm excited? ;)
To sign up for the workshop go here
. To read my interview on the InnSane blog go here
Come play with me!!