Iron Spine Aloft billowing on the front lawn of the Rye Arts Center
A few blog posts back, I spoke about seeing plastic trash flapping in the trees along the roads in my travels. I have reinterpreted that imagery by creating a public art installation, made from plastic, that is gracing the front lawn of theRye Arts Center, strung between two trees. Iron Spine Aloft can be seen as you drive by the arts center until the end of April. Feel free to stop in and enjoy it up close. Make time to go inside and see Fiber Now: Textile Artists on the Cutting Edge, in which five of my pieces are presented alongside the works of eleven other talented fiber artists. Doemail me, if you're in the neighborhood. Perhaps I'll be able to meet you there and we can talk art, stitching, texture, recycling and the circle of life. You can also join me for two BYOBworkshopsthat I'll be teaching on March 21st and 28th.
I am hoping to continue creating large-scale public art installations created from repurposed plastic. I am working on a series of proposals to further this endeavor. Raising public awareness about the excess of single use plastic in our society and the problems of litter in our environment are at the forefront of my art practice. If you know of an institution to which you think I can submit such a proposal, please let me know. I welcome your input.
I have posted a few videos of the installation onInstagramandFacebookfor your viewing pleasure. I'll be posting more in the near future, as well as a more substantial video detailing the creation of Iron Spine Aloft from start to finish, which I will post on myYouTube channelwhen completed.
At the end of this month, I would be delighted to greet you in booth V-08/09 at theArmonk Outdoor Art Show in Armonk, NY. September 29th and 30th, 10AM to 5PM, rain or shine.
The exhibit was just ranked as the #2 Fine Art and Design Show in the entire United States by Sunshine Artist Magazine, August 2018. The #2 Rank, based on sales reported by exhibitors to Sunshine Artist, is a spectacular jump from the previous #46 position! This is THE show for sophisticated art lovers expecting to find top quality work available to purchase!
I will be bringing brand new series of stitched collages that I am calling City Sketches. And, of course, a collection of your favorite urban subjects - fire escapes, bridges, and graffiti - will also be on hand.
In addition to presenting my artwork, I will be directing a collaborative art piece created with reclaimed and repurposed materials, a portion of which will be brought in by community members. Visitors will apply layers of plastic to the outline of the Armonk Outdoor Art Show tree logo. After the show, I will finish the artwork with my signature stitching and it will be installed at the North Castle Public Library in Armonk.
If my solo exhibit had a title, it would be Thoughtfully Repurposed.
But it doesn't have an official title, and as it's coming down on Friday, I thought it was time to share a few photos. Those of you who were able to see it, I sincerely appreciate that you came, your kind words mean so much to me! Those of you who are too far to come, I appreciate all your well wishes also. Thank you.
art and seed pods at the entrance
Iron Spine 6XL makes it's debut surrounded by older relatives
Rhetoric with Iron Vessels: Reclaim Love and Iron Vessel: Enough
The top portion of Iron Spine/Urban Edge installation
another view of Iron Spine/Urban Edge installation
a small portion of the bottom of Iron Spine/Urban Edge installation
Expanding on an idea. Or rather expanding my explanation of an idea.
In the last post I mentioned that I was stuffing undesirable bits and pieces of plastic and styrofoam into containers and making building out of them. I thought that this needed clarification. For the latest set of buildings that I made, I spent the time photographing the items that I stuffed them with.
Here is the collage of my documentation:
stuff that got stuffed
Then, while I was all set up for photography, I continued.. Here are my containers, patterns sketched out on scraps of upholstery fabric. Then layered with scraps cut off from other art, stitched for texture till my hearts content, and glued onto the containers. Then the edges were all hand stitched with a nice, satisfyingly thick thread.
Gigantic, monumental artworks. Canvases with trees, terra cotta, and rebar. Oh, and molten lead. Poured onto the canvas and peeled back. Yes. Oh and water colors and artist books. Many, many gigantic artist books. Go see for yourself until September 1st.
The other gallery is Tibor de Nagy. An exhibit of works by Medrie MacPhee. Very different kind of texture, much quieter. I think I was still under the influence of Anselm when I saw these works. I didn't think much of them. But thinking about them and looking at my photos, I like them more and more. Perhaps they also appeal to me because she uses garment parts as design elements in her paintings. Very simple on the canvas, yet complex and map like.
And just to let you know that I was paying attention as I walked the streets and not just gabbing with Nathalie, here's the best graffiti of the day. Somewhere on the Lower East Side.
I love fire escapes. There. I've said it. Wait. I may have said it before. Well it's true. I do love them. Let me count the ways. I love their graphic lines, their rusty or sleek texture, their negative space, the layers upon layers of straight lines, the angles.
I love interpreting them in stitch. Large, small and medium.
I have been thinking a lot about what I can do as an environmentally and socially conscious artist and human. It is not enough for me to be using materials which, when not properly recycled, are destined to be trash that pollutes our waterways and makes its way to the Pacific Trash Vortex.
While I am still trying to figure out exactly what I could be doing, I can be helping already. And so can you. I am making a pledge to donate 25% from the proceeds of the sale of the artwork above to Riverkeeper, New York's clean water advocate.
It seems appropriate to me that the first artwork I will be selling to support clean water efforts is TZB Span. It depicts the old Tappan Zee bridge, which spans the Hudson River from Westchester county to Rockland county. It'll soon be gone as the new bridge is being built right next to it.
Let's help Riverkeeper keep the Hudson clean for us all. Every little bit helps. Thank you. Follow the links to see and purchase the art on my website or just click here! This piece is $650, so $162.50 will go to Riverkeeper. There is a $10 shipping fee. It's not much, but it's a start! Together we can make a difference!
It's nearly a month since I have returned from a whirlwind trip to Athens, Ohio for the opening weekend of Quilt National 2017. What a fun weekend it was! My friend Gail was my copilot as we let Waze guide us along the roads of NJ, PA, MD, WV and OH. The routes were all very scenic, but we had no time to stop for pictures, we had a destination to get to!
I have to say that as much as it was a thrill to see my art hanging in this prestigious exhibit, it was even more of a thrill to commune with all the artists who were there!
There's nothing better than hanging out with fellow creative souls. Sharing ideas, techniques, trials and tribulations and just basking in each others company. I was delighted to meet all the artists that I could, and wished every single one could have attended!
Here's moi talking about my work.... apparently I talk with my hands....
The powers that be took videos of the two minute talks that each artist gave about their work and when those videos become available I will gladly share where they can be seen. I always find public speaking rather nerve-wracking, but I was told that I spoke well and made sense. What more could I ask for?
Upon my return home, there was a lovely surprise in the mail - SDA magazine wrote a bit about the exhibit and used my art to illustrate it! So cool!
I'm still reliving bits and pieces of conversations that took place. So much to consider and enjoy remembering!
Yup, that's the title of this post. I'm sure any long time reader of this blog must have suspected that I collect thread snips from various projects. I pile them up into little cubbies until I figure out a way to use them. I try to keep them in color families, but sometimes I fail and then I don't stress about it.
Recently I thought they (the thread snips) would make a great texture representing a brick wall and heat rising. So I used them in this piece - Iron Spine: Hot in the City.
fire escape detail
another fire escape, more to follow, but please note the threads in the back ground
As I prepare to share some of my art with you, please enjoy this interview recently recorded with Nathalie Kalbach. It's really more of a conversation than an interview, Nat is lovely to talk to! And you'll love her new book Artful Adventures in Mixed Media! So grab your favorite beverage and settle in...
Done with costumes, and back to art! Last year, at the very end, I posted the last piece I made before the year was over. Today I want to tell you about the two pieces I am making that could be considered companion pieces to that one. All three could actually be companion pieces to these that I made a couple of years back. As you can see street signs still intrigue me...
Looks like these pieces are all about circles! Not really, but I am using layers and layers of cut up Target shopping bags, which I free-motion machine stitched in a circular pattern. Then I painted them with acrylic paint and now I am in the process of hand stitching the signs.
this one is in the embroidery hoop right now. I think I'll call it "one way or another"
a close up in progress
going for tons of texture here
this one is waiting to be hand stitched. I might call it "no turns"
Getting ready to dive into art making full force here. I don't mean that I have stopped... I just mean that I want to start on a new batch of work that I want to have ready by a certain time, so that I'll be all set for any of the shows that I'll be participating in. I'm gathering my tools, materials and inspiration around me.
I gather inspiration by going on a photo safari of NYC or digging into my photo archives. These are few of the photos that are inspiring the upcoming works.
I think I can pretty much guarantee that there will be water towers represented. There will also be fire escapes, bridges, street signs and maybe even buildings, and perhaps scaffolding!
Happy New Year! Wishing you all lots of love, peace and creativity this year!
I wanted to share the progress of my current XL artwork. I started it sometime in November, and if you follow me on Instagram and Facebook, you may have seen a few posts about it. It's truly slow art... it's quite large (for me) and is all hand-stitched so far. Thus the time factor. I am working on it in bits and pieces and sometime spurts of time. I take breaks to work on other art, some faster more immediately gratifying art. But I am really enjoying the pace of it.
This piece is a continuation of the experiment that I started last year with this piece. It's coming back soon from a photoshoot with Quilt National, and I cannot wait to see how it works with this new piece.
So here's how it's been coming along...
I cut out a very large paper stencil of a fire escape and traced in thread
audio books are great to listen to when I do this type of work, podcasts are great also
it started to look like this
the base is a very old linen bed sheet from my family, it might have even been used a drop cloth once as there are white paint splotches on it. I spent some quality time mending all the worn spots.
this is what it looked like when the stencil outline was done
then I started pinning bits and pieces of vintage lace to it
I intend to cut away some of the lace after it's stitched down
this is what it looked like at the beginning of the process. The idea behind all the lace layers is that I want it to resemble/represent a wall behind the fire escape
just lace didn't work, so the fabric scraps came out to play
this started looking better!
somehow it took on a spring like feeling... I don't think it'll stay...
this is when I got done layering my scraps and lace. Now I have to stitch it all down and cut away the excess so that the fire escape can be seen again
it's off the wall and on my dining room table, and I'm auditioning threads. Not only will they need to keep it all together for me, but they'll need to add color and texture
Stay tuned! I am trying to stick to working on it for at least an hour a day. I have lots of other projects that I have to be working on, but I don't want this to stagnate. Or keep taking up my dining room table....
It's very close. The end of the year. I'm ready to cross that line.
Usually at this time of the year I do an overview of all the artwork I have created throughout the year. But since I did an overview of the art created this summer not too long ago, I was in the mood for something different now.
This is the time of the year to finish up projects and artworks, put everything in order and generally clean up. I am doing that. But I also went and started a brand new piece and then got the bee in my bonnet to finish it before the year was over. Luckily it's a small piece and I was able to do exactly that.
You could probably have a great time psychoanalyzing the image and the name of the piece. But I'm choosing to look at it as moving on and crossing the street to new and bigger and better things. Come with me!
Repurposed Target plastic shopping bags, layered (many layers!); free motion machine stitched; painted; hand stitched in many layered stitches and wrapped around a stretched canvas. 10"x10". Waiting for a frame.
By the way... I am trying to explore the online art selling universe a bit further, so I opened up a trial Shopify store. If you would be so kind as to take a peek and maybe even share, I would be very grateful. Thank you!
My friend Jane always challenges me. She's very good at it. Come to think of it... I think she might be responsible for planting the seed for all my 3D artworks.
And here's the latest one. Jane provided the wood block, as she's good with power tools also. And I covered the wood block with my art. I repurposed some older work that no longer felt right, used up some scraps from other pieces, added a ton of hand stitches. I'm pretty proud of what came to be. It's kind of raw and different and mine at the same time.
I have been focused on the business side of art lately. (With a bit of teaching prep thrown in!) And that meant frames this time!
I have listened to advice of experts and spent the time (and money) and framed quite a few of my pieces. Let's just say it's been a learning curve.... I have been adhering my embroideries to stretched canvas for a long time now, and then painting the edges, and I really love that look. So I was afraid that it would get spoiled in a frame. But it's just a matter of the right frame though... I went for simple and black, some shadow boxes, no glass, except for three little pieces that benefitted from mats also.
So here are some examples:
my dining room table production line...
you can see the three glassed and matted pieces here
I even framed two larger pieces. This is a corner of Iron Spine 4
Manhattan Bridge got framed
so did the Whitestone bridge
I really liked putting my abstracts on a white background and a shadow box.
Tappan Zee bridge got framed, I'm waiting patiently to do the new TZ soon!
Iron Spine 1 also got framed.
I am resisting putting these pieces up on my website as I have a few events coming up where they will up for sale. So if you're interested in these just shoot me an email! email@example.com
I thought it's about time that I shared full images of all the new pieces I have created in the past few months. Now that I have premiered them at the Armonk Outdoor Art Show, it is time to see them on the blog. So without further a do here they are:
The show that I have been preparing for all summer has come and gone.. Funny how that is, isn't it? You think, you plan, you work, rework, work more and more, reconfigure, pack, repack, set up, lose sleep, work the show... and then poof! and it's over. But as exhausting as it was, today I am basking in the afterglow of it all.
I am very happy with the new work that I created specifically for this show. Happy with the older work that I was able to display. Happy with my display too, thanks to the friends from whom I borrowed equipment and the friends that helped me decide on the set up and then helped me take it all down. Thanks to all the friends to who came to visit me at the show and supported me with their kind words.
It was a wonderful weekend in every possible way, from the weather to crowds to the booth neighbors. And to all the lovely people to who complimented and bought my work!
Here are a few pictures of how my booth looked. This was the first way I set everything up. A few hours later on Saturday I reconfigured things, but was too distracted to take new pictures. I have never before talked about my art as much as I did in these two days. People needed explanations of not only my techniques, but also of my materials and my reasons why I do what I do! So it was a great experience for figuring out the best way of explaining it all, over and over. Talk about refining my elevator pitch!
And then on Sunday... I was in for a HUGE surprise! I got an award for Best New Artist! It was a total shocker for me as you can see in the photos below. The award is brand new and is given out in the name of Sylvia Rogers, who was a long time supporter and co-chair of the Armonk Outdoor Art Show. Her whole family was there to present the award, it turned out to be quite a big event.
that's the look of shock on my face..
posing with the whole Rogers family, that's Sylvia's husband in the green sweater
co chairs of the exhibit, Marian Hamilton and Susan Geffen
I am honored and humbled to be the first time recipient of the Sylvia Rogers Best New Artist Award. Thank you Rogers family and the Armonk Outdoor Art Show!!
PS Thanks to Sam Morrell for the pictures. And the video below (hope it works, fingers crossed!)
They say it's all in the details. And the details are what I have been focusing on in the last week or so.
Over the summer I have been preparing for the Armonk Outdoor Art Show. I have created ten new small artworks, five new medium artworks and have wired for hanging several large artworks which have been created over the last two or so years. I created a banner, participated in a preview exhibition, figured out booth logistics and I'm almost ready! Now I have to make labels and lists and decide on the display. This is the first time that I will be participating in such a show, so perhaps next time the prep will be be easier.
Here are a few enticing details so that you get a taste of what I've been up to.
edge painting is a bit like cake frosting
can you tell there have been a lot of edges to paint?
Full reveal is coming up soon! And if you're in the NY tri-state area, I hope to see September 24th and 25th!