studio update

Here's a review of what's been happening in my studio this week. Lot's and lot's of stitching!

I've been stitching the small pieces that will make up my extra large installation.

I made a quick visit to NYC for some inspiration.

I tried out one of the stitched plastic pieces on the window to see how translucent it is.

And another as well

And then the Polar Vortex came and I watched art make art in the snow...


Now I'll focus on a commissioned home portrait, so next week I post warmer looking photos to help everyone thaw out from this frigid cold...



going big, bigger and BIG!

portion of Iron Spine/Urban Edge installation is being weather tested!

The first month of the new year is only half way done, but my calendar is already filled with plans for the start of 2019.

First on my agenda is ArtShow:Bedford starting January 25th. It's a wonderful, small show in the picturesque town of Bedford NY, now in its 46th year. All proceeds from the show go to local charities supporting a wide range of services. 

In March I am delighted to be participating in Fiber Now: Artists on the Cutting Edge presented by the Rye Arts Center in Rye, NY. In conjunction with the exhibit I will be teaching a Stitching+Embroidery workshop on March 21st and 28th. As part of the exhibit I've also been invited to create a large installation −more than 15 feet across− on the front lawn of the center. The installation will help raise public awareness of plastic pollution crisis we’re facing, while enabling me to repurpose plastic into my art. I believe this installation for the Rye Arts Center is a perfect fit for my art practice. 

At the moment I am rifling through my stash and pulling out the biggest, sturdiest pieces of plastic that I have to start assembling the substrate. I’m conducting weathering tests for the plastic and my stitching. I took a portion of the Iron Spine/Urban Edge installation and hung it on my deck to see how it holds up to the wind and weather for the next month or two. This experiment will inform some of the design and construction choices I’ll have to make going forward.

pattern for the installation to be is laid out on the floor taking up all the space!

another shot of the weather test from Iron Spine/Urban Edge

is it opera or art season?

detail of City Sketch 10
It's back to school and back to routine time around these parts. How fast the summer always flies by! Did you know that's it is also the start of the Metropolitan Opera season?

Why am I telling you that it's opera season? Because I have just the right piece of art for the New York City opera lover. It's a depiction of Lincoln Center in the heart of Manhattan. It's called City Sketch 10, part of a new series of city scenes. It's available on Saatchi Art, where you can buy the original or a print. So get your tickets for Samson et Delila, or whichever opera makes your heart flutter and buy my art to get your season started on the right note!

If you're in the New York metro area at the end of this month, come see me at the Armonk Outdoor Art Show on September 29th and 30th in Armonk, NY. I'll be exhibiting the other collages that are part of the City Sketch series and leading a community art project too. Booth V-08,09.
City Sketch 10 © Natalya Khorover Aikens 2018


detail of a City Sketch ©Natalya Khorover Aikens 2018

Hello friends!

At the end of this month, I would be delighted to greet you in booth V-08/09 at the Armonk Outdoor Art Show in Armonk, NY. September 29th and 30th, 10AM to 5PM, rain or shine.
 
The exhibit was just ranked as the #2 Fine Art and Design Show in the entire United States by Sunshine Artist Magazine, August 2018. The #2 Rank, based on sales reported by exhibitors to Sunshine Artist, is a spectacular jump from the previous #46 position! This is THE show for sophisticated art lovers expecting to find top quality work available to purchase!

I will be bringing brand new series of stitched collages that I am calling City Sketches. And, of course, a collection of your favorite urban subjects - fire escapes, bridges, and graffiti - will also be on hand.

In addition to presenting my artwork, I will be directing a collaborative art piece created with reclaimed and repurposed materials, a portion of which will be brought in by community members. Visitors will apply layers of plastic to the outline of the Armonk Outdoor Art Show tree logo. After the show, I will finish the artwork with my signature stitching and it will be installed at the North Castle Public Library in Armonk.

chromorama-bahamamama?

collages pre-stitching
After a very busy July, I took a stab at organizing the havoc in my studio. Instead, I discovered a stash of vintage 1980's Chromorama papers. They are still as luscious as ever! And despite several online searches, it seems that they don't exist anymore.... insert sad face here.

collages post-stitching
I took out my plastic scraps and worked up a bunch of collages with smaller paper segments. I experimented with some simple stitching and was thoroughly pleased with the results. I'm hoping the recipients of my August subscriber birthday cards will be pleased as well.

Now I have the larger sized papers laid out on my work table among the plastic scraps. I am looking forward to how these collages will turn out and the much more intricate stitching that will go on them. I am planning to debut these at The Armonk Outdoor Art Show at the end of September.
fresh batch of vintage paper to stitch on!
In other news, I'd like to extend an invitation to join me at the opening reception for the Creative Climate Awards on Monday, September 17th at 6PM. My piece called Sunrise has been accepted into the exhibit.

I'll be sharing photos of all happenings on Instagram and Facebook. Hope to see you at one event or another! 

stuffing it

Expanding on an idea. Or rather expanding my explanation of an idea.

In the last post I mentioned that I was stuffing undesirable bits and pieces of plastic and styrofoam into containers and making building out of them. I thought that this needed clarification. For the latest set of buildings that I made, I spent the time photographing the items that I stuffed them with.

Here is the collage of my documentation:
stuff that got stuffed
Then, while I was all set up for photography, I continued.. Here are my containers, patterns sketched out on scraps of upholstery fabric. Then layered with scraps cut off from other art, stitched for texture till my hearts content, and glued onto the containers. Then the edges were all hand stitched with a nice, satisfyingly thick thread.
the how to
 And now the results:
Urban Tower 5 © Natalya Aikens 2018 (3"x3"x9")

Urban Tower 7xs © Natalya Aikens 2018 (3"x3"x5")
This one's insides were not photographed because I realized that I still had scraps left, but was already out of time to photograph the stuffing ephemera. But it's basically the same bunch of stuff.
Urban Tower 8xs © Natalya Aikens 2018 (2"x2"x5")
 And here are all three together. Don't they look swell?
Urban Tower family? ☺︎
I enjoyed the photo documenting process so much, that I created a tiny little book of it. Just photos, no words.
I decided that if someone buys all three of these little Urban Towers, they'll get the little book as a bonus. That way they know exactly how it happened. And knowing feels good.

fire escape love story

I love fire escapes. There. I've said it. Wait. I may have said it before. Well it's true. I do love them. Let me count the ways. I love their graphic lines, their rusty or sleek texture, their negative space, the layers upon layers of straight lines, the angles.
research...

research...
 I love interpreting them in stitch. Large, small and medium.
detail of Iron Spine 4 (snow dyed pine thread on plastic)

detail of Iron Spine: Hot in the City ( embroidery thread on plastic and thread snips)

Iron Spine xs2 (variegated thread on plastic)

details of Urban Towers (embroidery thread on plastic and fabric over repurposed containers)

detail of Green News ( thread over newspaper and plastic)
And extra large of course.
in progress Iron Spine 6XL

in progress Iron Spine 6XL

Rauschenberg and I

Grand Black Tie Sperm Glut by Robert Rauschenberg

If you're in NYC or visiting soon, don't miss Robert Rauschenberg: Among Friends exhibit at the MoMA. It's up till mid September thankfully!

As I wandered through this exhibition with my friend Nathalie, I felt more and more empowered. So odd. Usually I feel inspired by an exhibit. But this time I felt empowered! What the heck?

After some pondering I realized that it's because of the materials! Yes materials. Rauschenberg's and mine. I loved peering into each of his pieces on display and figuring out what he used where. I found cardboard and fabric of course. But also plastic! Plastic bags and balloons. And I must say that they still looked good after all these years, one was from 1961! I have heard that his work is a conservators nightmare, so I am being much more careful with mine. All my materials are archival, except for the plastic. But the plastic is indestructible as we all know....

And now that you see Rauschenberg's street signs above, I can make another connection. Perhaps an obnoxious one on my part.... but I've made some street sign art myself. Mine are a bit more delicate though... and a lot smaller! Stitched on plastic of course. And made completely by my hands.
Bump © Natalya Aikens
Other Side © Natalya Aikens

Crosswalk © Natalya Aikens

Dip © Natalya Aikens

No Turning Back © Natalya Aikens

One Way Or Another © Natalya Aikens
I've updated my website with new work including three of the pieces above. The other three were already there. There is still more new art to add, so check back every few days as I'll be adding a few on a regular schedule. And for everyones convenience, I'm adding PayPal buttons as I go.
Thank you!!

something different

My friend Jane always challenges me. She's very good at it. Come to think of it... I think she might be responsible for planting the seed for all my 3D artworks.

And here's the latest one. Jane provided the wood block, as she's good with power tools also. And I covered the wood block with my art. I repurposed some older work that no longer felt right, used up some scraps from other pieces, added a ton of hand stitches. I'm pretty proud of what came to be. It's kind of raw and different and mine at the same time.

Urban Tower (three views) Natalya Aikens © 2016

Urban Tower Natalya Aikens © 2016 





By the way, you can see Urban Tower at the Nest Arts Factory until November 15th.

framing things

I have been focused on the business side of art lately. (With a bit of teaching prep thrown in!) And that meant frames this time!

I have listened to advice of experts and spent the time (and money) and framed quite a few of my pieces. Let's just say it's been a learning curve.... I have been adhering my embroideries to stretched canvas for a long time now, and then painting the edges, and I really love that look. So I was afraid that it would get spoiled in a frame. But it's just a matter of the right frame though... I went for simple and black, some shadow boxes, no glass, except for three little pieces that benefitted from mats also.

So here are some examples:
my dining room table production line...


you can see the three glassed and matted pieces here
I even framed two larger pieces. This is a corner of Iron Spine 4
Manhattan Bridge got framed
so did the Whitestone bridge

I really liked putting my abstracts on a white background and a shadow box.

Tappan Zee bridge got framed, I'm waiting patiently to do the new TZ soon!

Iron Spine 1 also got framed.
I am resisting putting these pieces up on my website as I have a few events coming up where they will up for sale. So if you're interested in these just shoot me an email! natalya@artbynatalya.com

getting close

My first mini-series is almost finished. The hand-stitching is done, now I just have to adhere them to canvases, trim, paint the edges and wire for hanging. I think I'll leave that for a bit later when I'm not in the mood to stitch, because I'm really in the mood to keep stitching.

I've had the pleasure of keeping really long studio hours while my kids were in camp and really got into the groove. Now the kids are back and studio hours are kind of limited, until they go on their next adventure, but I'm squeezing in every minute I can.

I'll reveal the miniseries in its entirety when all the edges are finished. Meanwhile, here is a tease close-up of each one.

First the fire escapes, they are done with the simplest, cleanest stitches.





And now the water towers, these turned out to be much more complicated than the fire escapes.






Next up - bridges, or perhaps bridge parts.... I'll let you know soon!

something old, something new...

I've started a very large artwork. As a matter of fact - it barely fits on my design wall. But it feels right.
Several years ago I brought home from Russia all of my grandmothers' linens. And I do mean all! Doilies, embroideries, curtains, towels and lovingly mended bedsheets. This piece started on one of those bedsheets. Actually that's not true. The first part of it begun almost two years ago on a plastic drop cloth. I stitched a huge fire escape to hang in the window of my solo exhibit, you can see it in the background of the first photo in this blog post. After the show was done, I didn't know what to do with it. So I conducted an experiment and hung it out on the deck for a few months. It held up well. Then I put it away.
This month as I pondered about what to start on in the studio, I pulled out a mended striped bedsheet and hung in on the design wall. And then I remembered the fire escape! I pulled it out, trimmed away all the excess plastic and pinned it to the sheet. The sheet and the fire escape are speaking to each other. I have started stitching it down by hand with a snow dyed pine thread that I tamed a while back.
I'm not sure where this is all going, but in my mind it's all making sense. There might be a lot of mending involved in this eventually, there may or may not be doilies involved eventually... Stay tuned!

somewhat abstracted

I'm doing some year end inventory here, preparing for the December newsletter where I will be showing an overview of the artwork that I created in 2015. As I'm adding things up and checking things off, I noticed that I neglected to share a few pieces...
a detail first
Every now and then I get the urge to do something abstract. These four pieces came about because I was looking for specific scrap for something that I was working on and came upon my basket of trimmed off edges. Yes I do save everything...even the trimmed off edges of finished works. They were already collaged and stitched. So I collaged and stitched them some more!

The Architectural Fragments are 8"x10" and are mounted on Ampersand Hardbord with painted edges. They are $200 each if you'd like to purchase. Just email me: natalya @ artbynatalya . com
architectural fragments 1.1
architectural fragments 1.2
architectural fragments 1.3
architectural fragments 1.4
I thoroughly enjoyed collaging my scraps. It was a therapeutic challenge that's pleasing to the eye...