going big, bigger and BIG!

portion of Iron Spine/Urban Edge installation is being weather tested!

The first month of the new year is only half way done, but my calendar is already filled with plans for the start of 2019.

First on my agenda is ArtShow:Bedford starting January 25th. It's a wonderful, small show in the picturesque town of Bedford NY, now in its 46th year. All proceeds from the show go to local charities supporting a wide range of services. 

In March I am delighted to be participating in Fiber Now: Artists on the Cutting Edge presented by the Rye Arts Center in Rye, NY. In conjunction with the exhibit I will be teaching a Stitching+Embroidery workshop on March 21st and 28th. As part of the exhibit I've also been invited to create a large installation −more than 15 feet across− on the front lawn of the center. The installation will help raise public awareness of plastic pollution crisis we’re facing, while enabling me to repurpose plastic into my art. I believe this installation for the Rye Arts Center is a perfect fit for my art practice. 

At the moment I am rifling through my stash and pulling out the biggest, sturdiest pieces of plastic that I have to start assembling the substrate. I’m conducting weathering tests for the plastic and my stitching. I took a portion of the Iron Spine/Urban Edge installation and hung it on my deck to see how it holds up to the wind and weather for the next month or two. This experiment will inform some of the design and construction choices I’ll have to make going forward.

pattern for the installation to be is laid out on the floor taking up all the space!

another shot of the weather test from Iron Spine/Urban Edge

is it opera or art season?

detail of City Sketch 10
It's back to school and back to routine time around these parts. How fast the summer always flies by! Did you know that's it is also the start of the Metropolitan Opera season?

Why am I telling you that it's opera season? Because I have just the right piece of art for the New York City opera lover. It's a depiction of Lincoln Center in the heart of Manhattan. It's called City Sketch 10, part of a new series of city scenes. It's available on Saatchi Art, where you can buy the original or a print. So get your tickets for Samson et Delila, or whichever opera makes your heart flutter and buy my art to get your season started on the right note!

If you're in the New York metro area at the end of this month, come see me at the Armonk Outdoor Art Show on September 29th and 30th in Armonk, NY. I'll be exhibiting the other collages that are part of the City Sketch series and leading a community art project too. Booth V-08,09.
City Sketch 10 © Natalya Khorover Aikens 2018


detail of a City Sketch ©Natalya Khorover Aikens 2018

Hello friends!

At the end of this month, I would be delighted to greet you in booth V-08/09 at the Armonk Outdoor Art Show in Armonk, NY. September 29th and 30th, 10AM to 5PM, rain or shine.
 
The exhibit was just ranked as the #2 Fine Art and Design Show in the entire United States by Sunshine Artist Magazine, August 2018. The #2 Rank, based on sales reported by exhibitors to Sunshine Artist, is a spectacular jump from the previous #46 position! This is THE show for sophisticated art lovers expecting to find top quality work available to purchase!

I will be bringing brand new series of stitched collages that I am calling City Sketches. And, of course, a collection of your favorite urban subjects - fire escapes, bridges, and graffiti - will also be on hand.

In addition to presenting my artwork, I will be directing a collaborative art piece created with reclaimed and repurposed materials, a portion of which will be brought in by community members. Visitors will apply layers of plastic to the outline of the Armonk Outdoor Art Show tree logo. After the show, I will finish the artwork with my signature stitching and it will be installed at the North Castle Public Library in Armonk.

chromorama-bahamamama?

collages pre-stitching
After a very busy July, I took a stab at organizing the havoc in my studio. Instead, I discovered a stash of vintage 1980's Chromorama papers. They are still as luscious as ever! And despite several online searches, it seems that they don't exist anymore.... insert sad face here.

collages post-stitching
I took out my plastic scraps and worked up a bunch of collages with smaller paper segments. I experimented with some simple stitching and was thoroughly pleased with the results. I'm hoping the recipients of my August subscriber birthday cards will be pleased as well.

Now I have the larger sized papers laid out on my work table among the plastic scraps. I am looking forward to how these collages will turn out and the much more intricate stitching that will go on them. I am planning to debut these at The Armonk Outdoor Art Show at the end of September.
fresh batch of vintage paper to stitch on!
In other news, I'd like to extend an invitation to join me at the opening reception for the Creative Climate Awards on Monday, September 17th at 6PM. My piece called Sunrise has been accepted into the exhibit.

I'll be sharing photos of all happenings on Instagram and Facebook. Hope to see you at one event or another! 

thoughtfully repurposed

If my solo exhibit had a title, it would be Thoughtfully Repurposed.

But it doesn't have an official title, and as it's coming down on Friday, I thought it was time to share a few photos. Those of you who were able to see it, I sincerely appreciate that you came, your kind words mean so much to me! Those of you who are too far to come, I appreciate all your well wishes also. Thank you.

art and seed pods at the entrance

Iron Spine 6XL makes it's debut surrounded by older relatives

Rhetoric with Iron Vessels: Reclaim Love and Iron Vessel: Enough

The top portion of Iron Spine/Urban Edge installation

another view of Iron Spine/Urban Edge installation

a small portion of the bottom of Iron Spine/Urban Edge installation

Full view: Iron Spine/Urban Edge

a visitor from the insect kingdom

food matching art/art matching food

viewer matching art

artist with art (Iron Spine/Urban Edge)
What a whirlwind summer!

stuffing it

Expanding on an idea. Or rather expanding my explanation of an idea.

In the last post I mentioned that I was stuffing undesirable bits and pieces of plastic and styrofoam into containers and making building out of them. I thought that this needed clarification. For the latest set of buildings that I made, I spent the time photographing the items that I stuffed them with.

Here is the collage of my documentation:
stuff that got stuffed
Then, while I was all set up for photography, I continued.. Here are my containers, patterns sketched out on scraps of upholstery fabric. Then layered with scraps cut off from other art, stitched for texture till my hearts content, and glued onto the containers. Then the edges were all hand stitched with a nice, satisfyingly thick thread.
the how to
 And now the results:
Urban Tower 5 © Natalya Aikens 2018 (3"x3"x9")

Urban Tower 7xs © Natalya Aikens 2018 (3"x3"x5")
This one's insides were not photographed because I realized that I still had scraps left, but was already out of time to photograph the stuffing ephemera. But it's basically the same bunch of stuff.
Urban Tower 8xs © Natalya Aikens 2018 (2"x2"x5")
 And here are all three together. Don't they look swell?
Urban Tower family? ☺︎
I enjoyed the photo documenting process so much, that I created a tiny little book of it. Just photos, no words.
I decided that if someone buys all three of these little Urban Towers, they'll get the little book as a bonus. That way they know exactly how it happened. And knowing feels good.

fire escape love story

I love fire escapes. There. I've said it. Wait. I may have said it before. Well it's true. I do love them. Let me count the ways. I love their graphic lines, their rusty or sleek texture, their negative space, the layers upon layers of straight lines, the angles.
research...

research...
 I love interpreting them in stitch. Large, small and medium.
detail of Iron Spine 4 (snow dyed pine thread on plastic)

detail of Iron Spine: Hot in the City ( embroidery thread on plastic and thread snips)

Iron Spine xs2 (variegated thread on plastic)

details of Urban Towers (embroidery thread on plastic and fabric over repurposed containers)

detail of Green News ( thread over newspaper and plastic)
And extra large of course.
in progress Iron Spine 6XL

in progress Iron Spine 6XL

trying to do good

I have been thinking a lot about what I can do as an environmentally and socially conscious artist and human. It is not enough for me to be using materials which, when not properly recycled, are destined to be trash that pollutes our waterways and makes its way to the Pacific Trash Vortex.


While I am still trying to figure out exactly what I could be doing, I can be helping already. And so can you. I am making a pledge to donate 25% from the proceeds of the sale of the artwork above to Riverkeeper, New York's clean water advocate.


It seems appropriate to me that the first artwork I will be selling to support clean water efforts is TZB Span. It depicts the old Tappan Zee bridge, which spans the Hudson River from Westchester county to Rockland county. It'll soon be gone as the new bridge is being built right next to it.

Let's help Riverkeeper keep the Hudson clean for us all. Every little bit helps. Thank you. Follow the links to see and purchase the art on my website or just click here! This piece is $650, so $162.50 will go to Riverkeeper. There is a $10 shipping fee. It's not much, but it's a start! Together we can make a difference!
TZB Span, 8"x8" © Natalya Aikens 2017

Rauschenberg and I

Grand Black Tie Sperm Glut by Robert Rauschenberg

If you're in NYC or visiting soon, don't miss Robert Rauschenberg: Among Friends exhibit at the MoMA. It's up till mid September thankfully!

As I wandered through this exhibition with my friend Nathalie, I felt more and more empowered. So odd. Usually I feel inspired by an exhibit. But this time I felt empowered! What the heck?

After some pondering I realized that it's because of the materials! Yes materials. Rauschenberg's and mine. I loved peering into each of his pieces on display and figuring out what he used where. I found cardboard and fabric of course. But also plastic! Plastic bags and balloons. And I must say that they still looked good after all these years, one was from 1961! I have heard that his work is a conservators nightmare, so I am being much more careful with mine. All my materials are archival, except for the plastic. But the plastic is indestructible as we all know....

And now that you see Rauschenberg's street signs above, I can make another connection. Perhaps an obnoxious one on my part.... but I've made some street sign art myself. Mine are a bit more delicate though... and a lot smaller! Stitched on plastic of course. And made completely by my hands.
Bump © Natalya Aikens
Other Side © Natalya Aikens

Crosswalk © Natalya Aikens

Dip © Natalya Aikens

No Turning Back © Natalya Aikens

One Way Or Another © Natalya Aikens
I've updated my website with new work including three of the pieces above. The other three were already there. There is still more new art to add, so check back every few days as I'll be adding a few on a regular schedule. And for everyones convenience, I'm adding PayPal buttons as I go.
Thank you!!

teasing apart thread nests

Yup, that's the title of this post. I'm sure any long time reader of this blog must have suspected that I collect thread snips from various projects. I pile them up into little cubbies until I figure out a way to use them. I try to keep them in color families, but sometimes I fail and then I don't stress about it.

Recently I thought they (the thread snips) would make a great texture representing a brick wall and heat rising. So I used them in this piece - Iron Spine: Hot in the City.
fire escape detail

another fire escape, more to follow, but please note the threads in the back ground



Iron Spine:Hot in the City ©Natalya Aikens 2017
As you might suspect, I have a few more thread nests to unravel. Here's some that I am using for the sky in a piece about water towers. Still working on this one.
teasing out the thread nest over repurposed plastic

sketching out the water towers

building up the rungs
Stay tuned! Hopefully this piece will be finished before the end of the month..

approaching

I love when deadlines are approaching. Sometimes deadlines are looming... that feels daunting and dreaded. But when they are approaching it's a bit more light hearted and exciting. Yes still lots of work ahead, but it feels happy. My favorite kind of deadline.

That's how things are now in the studio. I am getting ready for CraftMorristown in Morristown, NJ on March 17th, 18th and 19th. I finished my Street Signs pieces and stretching them on canvas now. And yesterday I finished the Brooklyn Bridge! Yes I now have a bridge to sell you. Well right after I stretch it on canvas and frame it.

Here are a few pictures of the bridge in progress...
choosing colors

putting in the starting stitches through my mock up (photo by Vivien Zepf)

filling in the details

the back view is fun to see and will never be seen again!

lot's more details to go here

approaching the image in my head

almost there

just a few more
Hopefully in the next blog post I will share the finished piece in a lovely frame. The picture I snapped of it with my iPhone is not up to par.

Meanwhile as part of my preparation for the show, I've set up my booth in my living room. It barely fit, there was no room for anyone else, but I needed to see how it looked. I will have to do it again and try it out with my art in it. Oh boy.... the dog did not appreciate it at all!
eek! It's bigger in person!

artsy shot of envelopes with invitations
If you're in the Northern New Jersey area and would like to come see the show, email me for your personalized invitation! I have just a few left.

Ok now back to framing and other details. Hmmm.... can I stitch one more in two weeks??!!

one way or another

Done with costumes, and back to art! Last year, at the very end, I posted the last piece I made before the year was over. Today I want to tell you about the two pieces I am making that could be considered companion pieces to that one. All three could actually be companion pieces to these that I made a couple of years back. As you can see street signs still intrigue me...

Looks like these pieces are all about circles! Not really, but I am using layers and layers of cut up Target shopping bags, which I free-motion machine stitched in a circular pattern. Then I painted them with acrylic paint and now I am in the process of hand stitching the signs.
this one is in the embroidery hoop right now. I think I'll call it "one way or another"

a close up in progress

going for tons of texture here

this one is waiting to be hand stitched. I might call it "no turns"

can you see the turns?

all three - in progress, waiting and finished

slow art

Happy New Year! Wishing you all lots of love, peace and creativity this year!

I wanted to share the progress of my current XL artwork. I started it sometime in November, and if you follow me on Instagram and Facebook, you may have seen a few posts about it. It's truly slow art... it's quite large (for me) and is all hand-stitched so far. Thus the time factor. I am working on it in bits and pieces and sometime spurts of time. I take breaks to work on other art, some faster more immediately gratifying art. But I am really enjoying the pace of it.

This piece is a continuation of the experiment that I started last year with this piece. It's coming back soon from a photoshoot with Quilt National, and I cannot wait to see how it works with this new piece.

So here's how it's been coming along...
I cut out a very large paper stencil of a fire escape and traced in thread

audio books are great to listen to when I do this type of work, podcasts are great also

it started to look like this

the base is a very old linen bed sheet from my family, it might have even been used a drop cloth once as there are white paint splotches on it. I spent some quality time mending all the worn spots.

this is what it looked like when the stencil outline was done

then I started pinning bits and pieces of vintage lace to it


I intend to cut away some of the lace after it's stitched down

this is what it looked like at the beginning of the process. The idea behind all the lace layers is that I want it to resemble/represent a wall behind the fire escape

just lace didn't work, so the fabric scraps came out to play

this started looking better!

and better!

somehow it took on a spring like feeling... I don't think it'll stay...

this is when I got done layering my scraps and lace. Now I have to stitch it all down and cut away the excess so that the fire escape can be seen again

it's off the wall and on my dining room table, and I'm auditioning threads. Not only will they need to keep it all together for me, but they'll need to add color and texture
Stay tuned! I am trying to stick to working on it for at least an hour a day. I have lots of other projects that I have to be working on, but I don't want this to stagnate. Or keep taking up my dining room table....

crossing to the other side

It's very close. The end of the year. I'm ready to cross that line.

Usually at this time of the year I do an overview of all the artwork I have created throughout the year. But since I did an overview of the art created this summer not too long ago, I was in the mood for something different now.

This is the time of the year to finish up projects and artworks, put everything in order and generally clean up. I am doing that. But I also went and started a brand new piece and then got the bee in my bonnet to finish it before the year was over. Luckily it's a small piece and I was able to do exactly that.

You could probably have a great time psychoanalyzing the image and the name of the piece. But I'm choosing to look at it as moving on and crossing the street to new and bigger and better things. Come with me!



Other Side © Natalya Aikens 2016
Repurposed Target plastic shopping bags, layered (many layers!); free motion machine stitched; painted; hand stitched in many layered stitches and wrapped around a stretched canvas. 10"x10". Waiting for a frame.

By the way... I am trying to explore the online art selling universe a bit further, so I opened up a trial Shopify store. If you would be so kind as to take a peek and maybe even share, I would be very grateful. Thank you!

city love affair again

This one took a while.... too many distractions.. too many new experiments... but I still loved it, so I finally finished it.

Presenting City Love Affair 4. My grandmothers vintage linen towel, a lot of vintage lace from oh so many sources, a TAP transfer, machine stitching and hand stitching. A portrait of a beautiful building belonging to a school I never went to, but might have if I had stayed in Russia.

sky and roof

not so little round window

lampwork

details details
City Love Affair 4 © Natalya Aikens 2016
So different from the rest of the work I am doing right now, but yet such a part of me still.

something different

My friend Jane always challenges me. She's very good at it. Come to think of it... I think she might be responsible for planting the seed for all my 3D artworks.

And here's the latest one. Jane provided the wood block, as she's good with power tools also. And I covered the wood block with my art. I repurposed some older work that no longer felt right, used up some scraps from other pieces, added a ton of hand stitches. I'm pretty proud of what came to be. It's kind of raw and different and mine at the same time.

Urban Tower (three views) Natalya Aikens © 2016

Urban Tower Natalya Aikens © 2016 





By the way, you can see Urban Tower at the Nest Arts Factory until November 15th.

framing things

I have been focused on the business side of art lately. (With a bit of teaching prep thrown in!) And that meant frames this time!

I have listened to advice of experts and spent the time (and money) and framed quite a few of my pieces. Let's just say it's been a learning curve.... I have been adhering my embroideries to stretched canvas for a long time now, and then painting the edges, and I really love that look. So I was afraid that it would get spoiled in a frame. But it's just a matter of the right frame though... I went for simple and black, some shadow boxes, no glass, except for three little pieces that benefitted from mats also.

So here are some examples:
my dining room table production line...


you can see the three glassed and matted pieces here
I even framed two larger pieces. This is a corner of Iron Spine 4
Manhattan Bridge got framed
so did the Whitestone bridge

I really liked putting my abstracts on a white background and a shadow box.

Tappan Zee bridge got framed, I'm waiting patiently to do the new TZ soon!

Iron Spine 1 also got framed.
I am resisting putting these pieces up on my website as I have a few events coming up where they will up for sale. So if you're interested in these just shoot me an email! natalya@artbynatalya.com

fire escapes, bridges and water towers

I thought it's about time that I shared full images of all the new pieces I have created in the past few months. Now that I have premiered them at the Armonk Outdoor Art Show, it is time to see them on the blog. So without further a do here they are: 
Iron Spine 1xs (6"x6") © Natalya Aikens 2016
Iron Spine 2xs (6"x6") © Natalya Aikens 2016
Iron Spine 3xs (6"x6") © Natalya Aikens 2016
Iron Spine 4xs (6"x6") © Natalya Aikens 2016
Iron Spine 5xs (6"x6") © Natalya Aikens 2016
Water Tower 1xs (6"x6") © Natalya Aikens 2016
Water Tower 2xs (6"x6") © Natalya Aikens 2016
Water Tower 3xs (6"x6") © Natalya Aikens 2016
Water Tower 4xs (6"x6") © Natalya Aikens 2016
Water Tower 5xs (6"x6") © Natalya Aikens 2016
MNHB span (12"x12") © Natalya Aikens 2016
TRIboro span (12"x12") © Natalya Aikens 2016
TZB span (8"x8") © Natalya Aikens 2016
WHTstone span (8"x8") © Natalya Aikens 2016
GWB span (8"x8") © Natalya Aikens 2016
Soon I will have these up on my website with juicy detail images. Stay tuned! And thanks for stopping by!

afterglow

The show that I have been preparing for all summer has come and gone.. Funny how that is, isn't it? You think, you plan, you work, rework, work more and more, reconfigure, pack, repack, set up, lose sleep, work the show... and then poof! and it's over. But as exhausting as it was, today I am basking in the afterglow of it all.

I am very happy with the new work that I created specifically for this show. Happy with the older work that I was able to display. Happy with my display too, thanks to the friends from whom I borrowed equipment and the friends that helped me decide on the set up and then helped me take it all down. Thanks to all the friends to who came to visit me at the show and supported me with their kind words.

It was a wonderful weekend in every possible way, from the weather to crowds to the booth neighbors. And to all the lovely people to who complimented and bought my work!

Here are a few pictures of how my booth looked. This was the first way I set everything up. A few hours later on Saturday I reconfigured things, but was too distracted to take new pictures. I have never before talked about my art as much as I did in these two days. People needed explanations of not only my techniques, but also of my materials and my reasons why I do what I do! So it was a great experience for figuring out the best way of explaining it all, over and over. Talk about refining my elevator pitch!




And then on Sunday... I was in for a HUGE surprise! I got an award for Best New Artist! It was a total shocker for me as you can see in the photos below. The award is brand new and is given out in the name of Sylvia Rogers, who was a long time supporter and co-chair of the Armonk Outdoor Art Show. Her whole family was there to present the award, it turned out to be quite a big event.
that's the look of shock on my face..

posing with the whole Rogers family, that's Sylvia's husband in the green sweater
co chairs of the exhibit, Marian Hamilton and Susan Geffen

I am honored and humbled to be the first time recipient of the Sylvia Rogers Best New Artist Award. Thank you Rogers family and the Armonk Outdoor Art Show!!
PS Thanks to Sam Morrell for the pictures. And the video below (hope it works, fingers crossed!)



details

They say it's all in the details. And the details are what I have been focusing on in the last week or so.
Over the summer I have been preparing for the Armonk Outdoor Art Show. I have created ten new small artworks, five new medium artworks and have wired for hanging several large artworks which have been created over the last two or so years. I created a banner, participated in a preview exhibition, figured out booth logistics and I'm almost ready! Now I have to make labels and lists and decide on the display. This is the first time that I will be participating in such a show, so perhaps next time the prep will be be easier.

Here are a few enticing details so that you get a taste of what I've been up to.
edge painting is a bit like cake frosting


can you tell there have been a lot of edges to paint?








Full reveal is coming up soon! And if you're in the NY tri-state area, I hope to see September 24th and 25th!